Online Course Graphic Design Principles

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Online Course Graphic Design Principles – Universal Principles of Design with Jill Butler and William Lidwell 2,483 users liked Duration: 5h 29m Skill Level: Beginner Released: 7/15/2015

Design is full of unspoken principles and unspoken ideas that, when implemented, can dramatically improve your design. For the first time, we’re documenting them all in one place. Based on William Ludwell’s award-winning books, Universal Principles of Design explains a set of design principles, ranging from the tried and true (the 80/20 rule) to concepts you’ve never considered in terms of design. (Ockham’s Razor or crowd intelligence.) These principles are critical to successful design – no matter the discipline. Anyone who creates, designs, engineers, or illustrates will learn invaluable lessons that can take their work to the next level.

Online Course Graphic Design Principles

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Use your iOS or Android learning app, and view courses on your mobile device without an internet connection. What constitutes “bad” design? What makes a “good” design? And how can you tell the difference? Don’t you know it when you see it? Well, graphic design is undoubtedly about aesthetics, which can be subjective. Beauty is in the eye of the beholder. But—here at Shillington—our teachers believe in creating a successful graphic design model, there are set graphic design principles you should consider and follow. If they are not working in harmony, the whole design suffers.

(If you’re wondering, wait a minute—what does the term “graphic design” mean? Read here first.)

Anyone who has read an introduction to art or design will have come across a variety of words that are used to describe how things look. There are terms to comment on each aspect. Line, tone, movement, texture, weight, scale, shape, texture, harmony, and effects are just a few to get you started. But — having too many words to critique a piece of design can confuse and complicate the process.

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Our approach to instructional design at Shillington is about learning the basics in a simple and direct way. Therefore, we have followed five basic principles of graphic design:

In our Shillington classrooms around the world, our teachers always drill down to the fundamentals of graphic design.

From the first day of demonstrations, to the final portfolio reviews. If something doesn’t feel right, or isn’t working, we believe you can always trace the problem back to the basics.

We even have a visual reminder of the five basic principles of graphic design on every computer monitor in the classroom! It serves as a constant reminder to always refer back to the principles.

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In this post, we’ll examine each principle using design examples, as well as understand how the principles of graphic design work together to help us deliver the right message to the right audience. . Let’s get started, and learn how to master the basics of graphic design.

Alignment is one of the most basic, yet most important principles of design, as it allows our eyes to see the layout, which is quite comfortable for a reader.

Ever seen a design and don’t know where to look? Left, right, center? Having a strong point of alignment within the design allows our eyes to flow through the visual message seamlessly. Aligning elements together so that each item has a visual relationship with something else on the page tightens a design and eliminates the cluttered, messy effect that comes from random placement of elements. .

Aligning elements that are not in close proximity to each other can provide a hidden connection, communicating the idea that they belong to the same piece.

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Outside of 2D graphic design, alignment can be seen as paintings that hang evenly along an invisible line, like how you do right/left/center alignment for paragraph text in Microsoft Word documents. Can toggle, or row parking spaces marked with even lines. And if you want to see some really scary alignments, check out this confusing sign in Los Angeles.

In this first example, the notation from the Surrey Hills Library in Sydney, everything is grouped into a clear margin, as shown by the green dotted lines. Type and icons are aligned to the left, while all arrows are aligned to the right. It creates a visual connection between elements and makes layout easier.

Alignment plays a big role in this menu design for a family cafe by Motyw Studio. Type is left-aligned, while all values ​​are right-aligned. The alignment spans multiple menu pages so that images, titles, and information are always aligned. It creates a visual connection between elements, simplifies layout and ensures that viewers always know where they are looking for information.

Think of repetition as consistency. By repeating elements of a design, you create an instant familiarity or identity. Repetition is an important factor in the unity of multi-page documents. For example, when looking at a publication, it should be immediately obvious that p.5 and p.10 belong to the same publication either by grid, type style, font size, color, spatial relationships, etc. Repetition can also be used to create graphics. elements, such as patterns, unless it becomes overwhelming; Be careful of the opposite.

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Repetition helps people identify that separate things belong together. Think of it a bit like a family. Each member of the family looks a little different, but there are enough similarities that you can see that they are all connected. Let’s look at some more good visual examples of repetition in graphic design.

Packaging is a great way to see it in action. Take these Olipop cans for example. The position of the logo is repeated and it uses the same fonts. Each has a different color and reflection to distinguish the different flavors, but they are all similar enough to recognize that they are part of the same family.

This example of a visual identity design for Fort Point Beer by Manuel shows how important repetition is in branding. The company is trying to create a strong sense of identity and the repetition of patterns and example styles across different customer touch points creates strong consistency and brand awareness.

Contrast occurs when two elements are complete opposites. For example: large/small size, classic/contemporary fonts, thin/thick lines, cool/warm colors, dark/light, smooth/rough textures, horizontal/vertical, etc.

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Contrast plays an important role in the organization of information on a page. It gives the reader a guide as to where to look first. What is the most important point? What stands out the most?

Unlike work, it must be strong and clear. In contrast, our eyes; Don’t make differences look like mistakes. To have an impact, the difference must be clear and extreme.

For example, when agreeing to terms and conditions online, a contrast can be seen in digital design where “I accept” is in bold, while “I decline” is in a lighter color that fades. It seems to happen. Let’s look at some good examples of contrast in graphic design.

In this example of a Notebook II from Imprimerie du Marais, the contrast between the dark blue of the outer packaging and the bright orange markings of the interior is intriguing and entices the viewer to open the box. Once they do, a further contrast between minimal external and heavily patterned material emerges. Both create a sense of joy in unpacking the items.

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In these two black and white posters by Muhittin Güneş, the use of scale in the headlines and body copy creates depth and a more dynamic setting.

Contrast through scale also works in reverse. Like this Yellow Pages illustration by art directors Ron Henriques and Andre Calazans, where lots of space around a small object draws the eye in, creating a clear focal point.

And as you can see in this poster by Vasjen Katro, the stark color contrast highlights certain elements in the design, creating strong focal points.

Contrast can also be used in the choice of materials, which you can see in this egg packaging from ZBS Brands. Using different textured papers for the same project creates depth through contrast.

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Think about it—hierarchy is usually what we think of when we describe hierarchy in a business, or in organizations like politics and the church. It is a system in which people or things are arranged according to their importance.

In design, hierarchy creates a visual organization for a design and gives the reader an idea of ​​where to start and end reading. Each element that is part of the design can be given a priority rating. For example

A designer can then make decisions about position, size, contrast, color, etc. to ensure that the desired classification is achieved.

Clients will often ask you to increase the size of many elements on the page because they think all these points are “really important”. The problem with that

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